Søndergård Conducts Mozart’s Requiem
Fri Nov 22 — Sat Nov 23, 2024
Orchestra Hall
Olivier Messiaen said, “My faith is the grand drama of my life.” In Les Offrandes Oubliées (The Forgotten Offerings), he compares the last section to a faraway stained-glass window. A fitting segue to Mozart’s Requiem, the Austrian composer’s epic last work. This contemplative program offers the chance to dive into memories that require extra time and space.
A Few Things to Know
- In the 1984 film Amadeus—which won eight Academy Awards and four Golden Globes— Mozart is seen in his last moments, desperately singing his Requiem to release it into the world before it died along with him. Though we now know that a benefactor had also requested he write a requiem, many people believe that Mozart was composing this particular one for himself.
- In the same year that Olivier Messiaen, a devout Catholic, began his first job as a church organist, he also penned his first orchestral composition. The two experiences were invariably connected with the three parts of The Forgotten Offerings representing The Cross, the Sin, and The Eucharist.
- Gabriela Ortiz’s 2021 work titled Tzam —meaning dialogue — is a deeply profound expression of grief written shortly after Ortiz’s father and two of her dearest musician colleagues passed away in close succession.
- Plan your visit to Orchestra Hall
Program
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MESSIAEN
Les Offrandes Oubliées (The Forgotten Offerings)
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ORTIZ
Tzam
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MOZART
Requiem
Artists
The Grammy Award-winning Minnesota Orchestra, now in its second century, ranks among America’s top symphonic ensembles, with a distinguished history of acclaimed performances in its home state and around the world; award-winning recordings, broadcasts and educational engagement programs; and a commitment to intentionally build concert programs to feature more works by composers of color, exploring music both contemporary and historic. This past fall, Danish conductor Thomas Søndergård began his tenure as music director.
Danish conductor Thomas Søndergård, who in fall 2023 began his tenure as music director of the Minnesota Orchestra, is a highly regarded conductor in both the orchestral and opera spheres. He has earned a reputation for incisive interpretations of works by composers from his native Denmark, a great versatility in a broad range of standard and modern repertoire, and a collaborative approach with the musicians he leads. His inaugural season began in September 2023 with two weeks of historic concerts highlighted by Richard Strauss’ Alpine Symphony and, with the Minnesota Chorale, Ravel’s complete ballet score Daphnis and Chloe. Another season highlight will come in June 2024, as he conducts season finale concerts of music by LGBTQ+ composers.
Hailed as “a miracle of freshness and brightness,” American-Guatemalan soprano Andrea Carroll is in huge demand with opera houses across the U.S. and Europe. Between 2015 and 2020 she spent five seasons on the ensemble at the Wiener Staatsoper, performing 15 leading roles for the company.
Taylor Raven is a “vocal sensation” (Washington Classical Review) and quickly establishing herself in opera, concert and recital. In the 2024-25 season, she debuts with the Metropolitan Opera in the company premiere of Adams’ Antony and Cleopatra (Charmian) and with Pacific Opera Victoria for La clemenza di Tito (Sesto). On the concert stage she debuts with the Minnesota Orchestra for Mozart’s Requiem, Duisburger Philharmoniker for Julia Perry’s Stabat Mater, the United States Naval Academy for Messiah, Buffalo Philharmonic for Sanctuary Road and Quad City Symphony Orchestra for Giddens’ Omar’s Journey (Fatima).
Jack Swanson, a native of Stillwater, Minnesota, is quickly becoming one of the most sought-after young tenors in the opera world. His distinctive high lyric voice is known for singing the acrobatic arias of Rossini and the legato melodies of Donizetti.
Hailed as an artist “alight with the spirit of the music” (Boston Globe), Dashon Burton has established a vibrant career appearing regularly throughout the US and Europe. Highlights of his 2023-24 season include multiple appearances with Michael Tilson Thomas, including a performance of Beethoven’s Symphony No. 9 with the San Francisco Symphony; Copland’s Old American Songs with the New World Symphony; and selections from Tilson Thomas’s own Meditations on Rilke with the San Diego Symphony. Burton also performs Bach’s Christmas Oratorio with the Washington Bach Consort, sings Handel’s Messiah with the Saint Paul Chamber Orchestra and the Philadelphia Orchestra, and performs the title role in Sweeney Todd at Vanderbilt University. With the Cleveland Orchestra, Burton participates in a semi-staged version of Mozart’s The Magic Flute, and he joins the Milwaukee Symphony and Ken-David Masur for three subscription weeks as their artist in residence.
The Minnesota Chorale has served as the Minnesota Orchestra’s principal chorus since 2004 and is now in its 29th season under the leadership of Kathy Saltzman Romey. Founded in 1972, the Chorale is Minnesota’s preeminent symphonic chorus, with a roster of over 200 singers. Best known for its work with the two major orchestras of the Twin Cities, the ensemble is equally dedicated to programs that build and enrich community. A seasoned artistic partner, the Chorale continues to explore new artistic directions and collaborative opportunities, while earning the highest critical acclaim for its work on the concert stage. In 2018, members of the Chorale traveled to South Africa to perform alongside the Minnesota Orchestra in its historic concerts in Soweto and Johannesburg.
Plan your visit
- Pre-concert activities
- Valet Parking
- Pre-order Beverages
- Directions & Parking
- Helpful Tips
Know Before You Go
An engaging performance awaits, and the fun doesn’t stop there. Make this visit your own with food and activity options. Browse these helpful tips, and when your concert date arrives, all you have to do is sit back and enjoy.
Directions & Parking
All the information you need to know for getting to and from Orchestra Hall. Parking is just steps away from Orchestra Hall in the city-owned and skyway-connected 11th and Marquette Ramp.
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Accessibility Services
- Armless & Bariatric Chairs
- Assistive Listening Devices
- Large-Print Programs
- Noise-Cancelling Headphones
- Service Animals
- Wheelchair & Accessible Seating
Additional services are available upon request.
Sponsored by
The 2024-2025 Classical Season is presented by Ameriprise Financial.