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Tchaikovsky’s Pathétique Symphony

Program

MAZZOLI
Sinfonia (for Orbiting Spheres)  / 12 min

PROKOFIEV
Violin Concerto No. 2  / 26 min

INTERMISSION / 20 min

TCHAIKOVSKY
Symphony No. 6, Pathétique  / 45 min

At a Glance

Audiences and musicians are captivated by conductor Nathalie Stutzmann, and for good reason. One of the world’s leading contraltos, she often sings her direction to the musicians in rehearsal, with inspiring results. “Pure connection,” they say. Song—here in the winds, there in the brass, now in the strings—is in nearly every bar of Tchaikovsky’s final symphony.

Artists

Did You Know?

  • A champion for the new: Though most of Missy Mazzoli’s influences are past composers, she says, “I want to reflect the era that I’m living in now and make music that can only be written now.”
  • Tchaikovsky conducted the premiere of his Sixth Symphony just nine days before his death.
  • A true collaborator, Nathalie Stutzmann understands the value of a good audience to deliver a powerful performance. “If you come in open, relaxed and abandon yourself to what the performers have to give, then we can connect.”

Accessibility at Orchestra Hall

Assisted listening devices available Large print program available Wheelchair seating availableService dogs welcomePlease refrain from using strong perfumes and colognes

Location Orchestra Hall
1111 Nicollet Mall
Minneapolis
MN
55403

Tchaikovsky’s Pathétique Symphony

176260635612

1614272400

176292776412

THU FEB 25 2021 11am

Additional Dates

Fri Feb 26 20218pm

Sat Feb 27 20218pm

Nathalie Stutzmann, conductor | Photo © Jon-Petter Thorsen

Nathalie Stutzmann, conductor | Photo © Jon-Petter Thorsen

Plan Your Visit

Directions to Orchestra Hall

Concertgoer's Guide

Come Early, Stay Late

Go beyond the concert and enjoy the full Orchestra Hall experience.

See Experiences

Program

MAZZOLI
Sinfonia (for Orbiting Spheres)  / 12 min

PROKOFIEV
Violin Concerto No. 2  / 26 min

INTERMISSION / 20 min

TCHAIKOVSKY
Symphony No. 6, Pathétique  / 45 min

At a Glance

Audiences and musicians are captivated by conductor Nathalie Stutzmann, and for good reason. One of the world’s leading contraltos, she often sings her direction to the musicians in rehearsal, with inspiring results. “Pure connection,” they say. Song—here in the winds, there in the brass, now in the strings—is in nearly every bar of Tchaikovsky’s final symphony.

Artists

Did You Know?

  • A champion for the new: Though most of Missy Mazzoli’s influences are past composers, she says, “I want to reflect the era that I’m living in now and make music that can only be written now.”
  • Tchaikovsky conducted the premiere of his Sixth Symphony just nine days before his death.
  • A true collaborator, Nathalie Stutzmann understands the value of a good audience to deliver a powerful performance. “If you come in open, relaxed and abandon yourself to what the performers have to give, then we can connect.”

Accessibility at Orchestra Hall

Assisted listening devices available Large print program available Wheelchair seating availableService dogs welcomePlease refrain from using strong perfumes and colognes

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