“One of the most admired pianists of his generation," according to The New York Times, pianist Inon Barnatan recently played with the Minnesota Orchestra in January for the Tchaikovsky Marathon and the Midwest Tour. Last year, he debuted at the world's largest classical music festival, the BBC Proms; he returns to the prestigious venue next month with the Orchestra to perform Gershwin's Piano Concerto in F.
What is it like to walk out onto the stage as a soloist at the BBC Proms? It really is indescribable–one of the most thrilling experiences one can have as a performer. I made my debut there last year (playing Ravel’s Piano Concerto in G major with the BBC Symphony Orchestra), and I have not been able to stop talking about how incredible it felt going out in front of so many enthusiastic and discerning people. It’s one of the best classical music audiences in the world, the space itself is beautiful, and just walking out on stage is intoxicating.
What was the highlight of your debut performance there last year? The wonderful thing about it, besides just being there, was how intimate it actually felt on stage. As soon as we started playing, it felt like we were in a living room. It’s surprisingly comfortable and intimate, in contrast with the epic scope of the place.
How do you think your performances with the Minnesota Orchestra earlier this year will contribute to the Proms concert on August 6? I think musical relationships are always helped by experience—the deeper the relationship with other musicians, the better the performances. The more comfortable you feel with an orchestra or conductor, the more you feel you can trust each other. I feel very close to the Minnesota Orchestra musicians; walking out on stage with them feels like we are performing as a united front, that we are on the same page from the beginning.
Barnatan, with Osmo Vänskä and the Minnesota Orchestra, at Chicago's Symphony Center, January 2018. Photo: Greg Helgeson
What do you enjoy most about Gershwin’s Piano Concerto in F? It’s a great piece that doesn’t always get the musical credit that it deserves. There is more to it than the fun, jazz aspect; it’s actually a complex and interesting piece and a great presentation of what Gershwin did best, which was combine classical and jazz into something new. I get to indulge my jazzy side, which I rarely get to do, while combining classical and jazz, two of my great loves.
How do you manage such a busy schedule of concerts? I’m also always planning ahead, so it is important that I practice not only what I am playing now, but also what I will be playing next. Also, I just try to steal time at home as much as possible. As much as I really enjoy the travel and concerts, I try to balance my schedule to make sure I have time away from the piano and music. I find that this sense of balance is very important.
What are your favorite places to perform or visit as you travel? The BBC Proms are high on my list—I lived in London for 10 years and it has always been one of my favorites.