June 25, 2018
“The Energy from the Orchestra was Palpable”
When Roderick Cox conducts two Symphony in 60 concerts on July 27 they will mark his final Orchestra Hall performances as the Minnesota Orchestra’s Associate Conductor.
In anticipation of that farewell, we asked him to reflect on his action-packed three-year tenure with the Minnesota Orchestra, during which he conducted dozens of student performances, an inaugural collaboration with Shiloh Temple on Minneapolis’ northside and a Tchaikovsky Fourth that went viral and was described by the Star Tribune as “a highly auspicious subscription concert debut.”
The recent recipient of the Sir George Solti Conducting Award—America’s most prestigious honor bestowed on young conductors—Cox will focus on high-profile guest conducting engagements during the 2018-19 season. Following the Orchestra’s August tour to South Africa, where he’ll lead rehearsals and a performance with the South African National Youth Orchestra, he will embark on a year that features debuts with the Los Angeles Philharmonic and Houston Grand Opera.
Please join the Orchestra on July 27 to cheer Roderick on to his next musical chapter and, for now, enjoy these video memories from Roderick on the past three seasons.
“I remember the children being so excited to participate in this performance with the Orchestra. It truly felt like a powerful moment in which we could all come together and share in the power and magic of great music.”
"The climax of Rachmaninoff's Symphonic Dances is simply brilliant. I remember trying to cautiously push and prod the Orchestra to pump up the energy level one decimal at a time, leading to the final note. There is a great deal of rhythmic complexity in this part of the piece in which the conductor must stay centered and grounded to keep this massive train (the orchestra) firmly on its tracks. Conducting this piece with the Minnesota Orchestra will remain one of my favorite highlights from my time as associate conductor"
"It is sometimes scary doing a piece for the first time, and this definitely was one of those moments. It is a high energy piece with a great deal of tricky moments. I remember having to focus incredibly hard on navigating all the corners of this work while also delivering a high-energy performance."
"The energy from the Orchestra was palpable, you could feel it through the floor on stage. At the time, it was the biggest concert of my career, and here I was standing in front of this Orchestra leading the piece that inspired me to make the critical decision to become a professional conductor many years ago. I guess you can say that I had come full circle by this moment and was enjoying every bit of it. Tchaikovsky's Fourth Symphony will always hold a special place in my heart."
“It was a huge snow storm the day of the concert and I was afraid no one would show up to hear us perform. We had worked so hard planning this long overdue trip to North Minneapolis to play for a part of our community that is often neglected. The surprise came when I walked into the church and it was full of people, and I could sense a buzz in the air. I could see in the audience young black boys who were intentionally seated on the first couple rows there to see me in performance. The community embraced the Minnesota Orchestra that day. I was told by a critic that our collaboration on Handel's “Hallelujah Chorus” from Messiah was the most powerful performance of the work he had ever heard."